23 September 2010

Mapping Berlin

A mapping of Berlin showing the different architectural and spatial characteristics of areas.  This is an overall generalization, the areas are very varied in type, age, style, etc, but there is an overall feel to each.  The red line is the Wall, which cuts through several of these "zones", illustrating the opportunity for an intervention relateable to all Berlin.

21 September 2010

Revised methodology



Yes, it's the plan of the Jewish Museum.  But I think it's a good parti for the form of my thinking of the process.  The straight line is the desired path to completion, while the dark line is the actual path to getting there, hitting the goals at certain points, but making a broader approach and deviating.

1 + 3 + 9, Take 2

(The concept hasn't changed much, but I've tweaked the implementation)

 
The architecture of Berlin is suffering an identity crisis from decades of political and social disorder.

In less than 2 centuries, Berlin has been the center of six different regimes, and each movement has made an attempt to create its own identity in Berlin through architecture.  The result is a chaotic confusion of constructions, heavily divided by unactivated spaces, social and historical boundaries, and failed attempts at creating unity.  The issue brings into question: what is the definition of Berlin architecture?

Is it a reference to the past or a push into the future?  The current focus has been twofold: one on “critical reconstruction,” recreating the spatial and building patterns of Berlin prior to its destruction in World War II, the other on massive construction projects designed to help define Berlin as a national capital, making no reference to anything that came before.  One approach driven by nostalgia, the other by government strength.  But neither one comes close to portraying Berlin’s storied history or the diversity of its peoples.  The architecture of a place should connect with its residents; it should be something with which they can identify themselves.  After the fall of the Berlin Wall, which opened up huge swaths of land directly through the center of the city, much of which is still unbuilt, lost in the tangled mess of urban renewal speculation.  This is an opportunity to rebuild part of Berlin and recreate a former symbol of division with an architecture that can reconnect it.  The German people have endured so much change and confusion, a source of national pride and identity is needed.  The scars of what has happened cannot be forgotten but should not be simply memorialized; they must help foster the vision for what is ahead and redefine a city long defined by its past.


14 September 2010

Method

 I could bore you with a chart or words describing the process I want to take, but I think this diagram is more effective.  Each step along the way is not a single path, there's hundreds of directions to take, some leading to the desired result, others are dead ends.  Each step presents new directions, but the point is to start broad, narrow it down, and then spread out at the next phase.  By the end, the path should be very direct and clear, but until then, endless possibilities...

07 September 2010

Yesterday and Today


 Some articles I came across that relate to what I want to research, both from the German English language newspaper "Der Spiegel:"

An interview with Albert Speer's son Albert Speer on the disaster of postwar reconstruction in Germany and the types of housing that arose failed.


One take on the question of what is Berlin and what its architecture should be (and the corporations trying to destroy it).

05 September 2010

1 + 3 + 9 : The Proposal

The architecture of Berlin is suffering an identity crisis from decades of political and social disorder.

In less than 2 centuries, Berlin has been the center of six different regimes, and each movement has made an attempt to create its own identity in Berlin through architecture.  The result is a chaotic confusion of constructions, heavily divided by unactivated spaces, social and historical boundaries, and failed attempts at creating unity.  The issue brings into question: what is the definition of Berlin architecture?

Is it a reference to the past or a push into the future?  The current focus has been twofold: one on “critical reconstruction,” recreating the spatial and building patterns of Berlin prior to its destruction in World War II, the other on massive construction projects designed to help define Berlin as a national capital, making no reference to anything that came before.  One approach driven by nostalgia, the other by government strength.  But neither one comes close to portraying Berlin’s storied history or the diversity of its peoples.  The paradigm case for this concern is the fall of the Berlin Wall, which opened up huge swaths of land directly through the center of the city, much of which is still unbuilt, lost in the tangled mess of urban renewal speculation.  This former division has the potential to become a model for Berlin architecture and planning in the future.  What becomes of this space can define what it is to be a Berliner, giving a population that for so long has struggled with its own self-image something to bring it unity and national pride.   This is not a new building typology or residential strategy, it is a way of thinking about urban space, the needs of the people in it, and how the city can prepare for future growth and prosperity.  The mistakes of the past cannot be forgotten, they must help foster the vision for what is ahead and redefine a city long defined by its division.